The Police-Industrial-Entertainment Complex

Radley Balko
The Agitator
December 2, 2013

 

COPSIn my book on police militarization, I have a section on the role pop culture has played in blurring the line between cops and soldiers, particularly with the onset of reality(ish) shows like A&E’s Dallas SWAT or Spike TV’s DEA. Over at the blog Gun Culture 2.0, sociologist David Yamane looks at a bizarre new reality competition on the Outdoor Channel called Elite Tactical Unit: S.W.A.T., which features SWAT teams from across the country competing in a number of SWAT-like competitions for a $100,000 prize. As Yamane describes it, “ETU is basically ‘Survivor’ set in the world of police special forces.”

Of particular interest is the show’s sponsorship by the Swiss gun manufacturer SIG Sauer. Yahame points to this commercial which apparently often airs during the show, and makes no effort whatsoever to distinguish cops from soldiers, or the police from the military.

 

We’re looking at the formation of what you might call a “police-industrial complex,” in which we now have companies like SIG, Lenco, and others who either have recently sprung up entirely to build military-grade gear for police agencies, or who are diverting resources away from securing Pentagon contracts toward marketing their services to police. This has all been driven by federal, state, and local policies that have eroded the distinction between the military and law enforcement, but these companies have then of course have a strong incentive to continue to chip away at that distinction themselves, as you see in the videos like the one above, or the one Lenco has used to market its Bearcat line of armored personnel vehicles.

Read the full article—The Police-Industrial-Entertainment Complex