Sibel Edmonds Speaks Truth Through Fiction in ‘The Lone Gladio’

September 13, 2014 in TOR Radio

TOR Radio #105 | Sibel Edmonds discuss her new book, a novel, called The Lone Gladio. Sibel explains why she chose a “fictional drama” as the vehicle to tell this story, the inspiration for the various interesting characters, and many of the book’s larger themes: Operation Gladio, black ops, government corruption, and the Deep State.

Masterminds Behind ISIS Mexican Cartel Grid Jihad Revealed! (or Why the Media Thinks You’re Stupid)

September 13, 2014 in TOR Radio

TOR Radio #104.2 | Guillermo and Danny illustrate how a product of government propaganda — that serves to further legitimize the “war on terror,” justify another war, and accept a greater loss of liberty — nevertheless found willing mouthpieces among some of the larger “alternative media” outlets.

Hector Cubillos on the Truth about Laredo’s Killer Cops

September 13, 2014 in TOR Radio

TOR Radio #104.1 | Hector Cubillos joins Guillermo and Danny to discuss the police killing of Jose Walter Garza that took place on August 30, in Laredo, Texas. Hector has now interviewed two witnesses that confirm police are lying about what actually took place in the moments before they killed Garza.

Fear and Fake Journalism: Is the ISIS Propaganda Working?

September 8, 2014 in DC on BFP

DC on BFP #52 | Pearse Redmond joins us to discuss the dubious connections between fake journalist “turned freedom fighter” Matthew Van Dyke and alleged ISIS victims James Foley and Steven Sotloff; the bullshit rumor that ISIS is operating on the US-Mexico border, and how and why this fear-based propaganda has taken hold of the so-called alternative media.

Witness: Laredo Police Knew It Was a Pellet Gun When They Killed Jose Garza

September 5, 2014 in News

Guillermo Jimenez | An eyewitness to the police killing of Jose Walter Garza in Laredo, Texas, on Saturday has come forward to contradict the official account of events. In an interview with local, independent journalist Hector Cubillos, Gateway Truck Stop CFO Victor Treviño said police know…

Beard World Order: Episode 04 – World War 3

September 1, 2014 in Preview, TOR Radio

BWO Podcast #4 | Guillermo Jimenez, James Corbett, and Pearse Redmond consider the possibility of World War III. Could it happen? What would it look like? Has it already begun? As military tensions mount around the globe, and the “New Cold War” begins to heat up, is there an end game in sight?

Demanufacturing Consent: “Humanitarian” Wars for Imperial Dreams

August 29, 2014 in DC on BFP, Preview

DC on BFP #51 | Daniel McAdams gives us his take on the current situation in Iraq and Syria, as the US war machine prepares for another full-on military invasion. Was the James Foley video staged? Given Foley worked for USAID until at least 2010, could he have been more than just a journalist?

RadioWHO Podcast: Counterinsurgency in the USA with Douglas Lucas

August 27, 2014 in Preview, TOR Blog

RadioWHO #1 | Douglas Lucas joins us to discuss how the the drug war on the Mexican border has morphed into an all-out counterinsurgency war, how its effects extend beyond the border, and what these counterinsurgency tactics have to do with the militarized police in Ferguson, Missouri and throughout the United States.

Demanufacturing Consent: Counterinsurgency Wars – From Gaza to Ferguson

August 20, 2014 in DC on BFP, Preview 2

DC on BFP #50 | Kevin Gosztola joins us to discuss the ongoing situation in Ferguson, Missouri, the killing of Michael Brown, and the larger issues of police accountability and incremental militarization. We also go over the similarities in counterinsurgency and paramilitary tactics in play both in Ferguson and Gaza.

They Live, We Sleep: Corbett and Jimenez on John Carpenter’s 1988 Classic

August 19, 2014 in Preview 2, TOR Blog

FLNWO #18 | James Corbett talks to Guillermo Jimenez about “They Live,” John Carpenter’s surprisingly prescient 1988 film about a society hypnotized and controlled by an alien species that cannot be seen directly. We discuss the film as a metaphor for the modern day “truth movement.”